A native New Yorker, Jeremiah has worked as a director, producer, screenwriter, editor and educator in filmmaking for over twenty-four years. In addition to his work with FilmschoolSF, Jeremiah is the President of Fog City Pictures, one of the most prolific feature film production companies in the Bay Area. In the last seven years, Fog City Pictures has developed and produce a variety of feature films and documentaries which have screened at dozens of festivals around the world and gone on to be released in theaters, on DVD, VOD, and iTunes. Fog City Pictures has a reputation for working with San Francisco’s most talented filmmakers, cast and crew, as well as, for bringing in talent from Los Angeles and New York City.
Most recently, Jeremiah directed and produced the award-winning feature film, TORN. Released in theaters across the country in October 2013, TORN has received much critical praise including rave reviews from The New York Times, The Hollywood Reporter and the San Francisco Chronicle.
As a producer, Jeremiah has worked with many accomplished filmmakers, including Academy Award winners Barbara Kopple and Leon Gast, as well as, Cannes & Sundance-winning filmmaker, Rob Nilsson.
As an educator, Jeremiah co-developed FilmschoolSF’s unique production-based curriculum and teaches many of the classes in directing, producing and screenwriting. He first became involved in education while teaching editing and media literacy to teenagers as part of the Urban League of Newark, New Jersey’s summer program.
Jeremiah holds a Bachelor’s degree in Film and Philosophy from Wesleyan University and attended the filmmaking program at New York University’s Tisch School of the Arts.
Founder & Director/Cinematographer
Stephen has been a working filmmaker and television director for the past forty-four years. His career started in 1968 as a combat photographer in Vietnam, shooting pictures for The United States Army Journal, Stars and Stripes, The New York Times, Newsweek, and other major publications. Upon completing his tour of duty, Stephen returned to college and attended Brooks Institute of Photography in Santa Barbara, California, where he earned a Bachelor’s degree in Filmmaking.
For the next twelve years, Stephen worked for PBS as a senior producer/director. During his time with PBS, Stephen created hundreds of documentaries and live television shows that won him numerous national and international awards (the New York International Film Festival, the Gabriel Awards, and the San Francisco International Film Festival to name a few) and such honors as being named American representative at the Rockefeller International Independent Film Symposium in Venice, Italy and receiving two Peabody nominations.
In 1995, Stephen moved to San Francisco, where he worked as an independent producer/
director for high-profile corporations, including Levi’s, Sun Microsystems, Oracle, Federal Express, Bank of America, Dupont, Texas Instruments, and the Smithsonian Institution.
Recently, Stephen produced and directed three one-hour segments for a thirteen-part series titled “Religions of the World” hosted by Academy Award winner, Ben Kingsley. As a way of sharing his experience with up-and-coming filmmakers, Stephen has been an adjunct teacher and administrator in film and video for twelve years, beginning at Tennessee State University and Middle Tennessee State University and most recently Associate Course Director at Ex´Pression College for Digital Arts in Emeryville,
Frazer Bradshaw came to filmmaking indirectly. After five years of rigorous study of the visual arts, Bradshaw began experimenting with light, and his early cinematic works used shadow play and slide projection. Bradshaw studied experimental music as well, and the combination of his love for the properties of light and the time-based medium of sound, led him, inevitably, to filmmaking.
In 1999, Bradshaw crafted his film, “Every Day Here”, which played the 2000 Sundance Film Festival and went on to play at New York Film Festival. At the time Gavin Smith, editor of Film Comment, who had shepherded “Every Day Here” to NYFF, inquired of Bradshaw whether he considered himself a narrative filmmaker or an experimental filmmaker. Bradshaw’s reply was that he was an experimental filmmaker who tricked audiences into thinking that they were watching narratives. Bradshaw went on to make three more semi-narrative shorts that played major film festivals.
Because of his deep connection with the visual aspects of the film medium, cinematography seemed an obvious career choice to Bradshaw. He has since built a substantial resume shooting independent productions.
It was his work as a DP that was his best training as a director. Watching over 200 projects succeed or fail at a director’s hands was an education in directing that couldn’t have been had any other way.
Having honed his directing skills through the observation of others and through his short works, Bradshaw was ready to tackle a feature of his own. EVERYTHING STRANGE AND NEW, Bradshaw’s most explicitly narrative work to date, premiered at the 2009 Sundance Film Festival and won the prestigious FIPRESCI Prize award at the San Francisco International Film Festival.
Pam started her career as a poet before attending the Screenwriting Program at UCLA. Her first feature film, “A Walk on the Moon” was released in 1999 and starred Diane Lane, Viggo Mortenson, and Liev Schreiber.
Gray went on to write an Oscar-nominated role for Meryl Streep in “Music of the Heart” and most recently scripted “Conviction.” Starring Hillary Swank, Sam Rockwell and Melissa Leo, the film tells the true story of high school dropout Betty Ann, who went to law school and fought the judicial system for 18 years before proving that her imprisoned brother had been wrongly convicted of murder.
Matt is an award winning filmmaker, Berlinale Talent Campus 2012 participant and MacDowell Colony Fellow. He?s worked in various capacities of film, TV and video production in Los Angeles, San Francisco Bay Area and in Poland. He studied film and theater directing at The National Polish Film School.
Before that he graduated with Bachelor?s degree in Humanities, with an emphasis in history at Loyola Marymount University in Los Angeles. At that time he also interned on the TV shows Boston Public and The Practice at David E Kelly Productions.
Matt?s short film, History of Solitude, has played international festivals in Poland, France, Albania and North America, winning the Jury Award in Paris (ECU) and screening locally in competition at the International San Francisco Film Festival in 2009.
He?s worked as a producer on short-form European co-productions, including German and French films. He was field director for the feature documentary Nine Days That Changed the World about the Pope John Paul II. Since 2009, in SF Matt?s produced award winning online video content for the CBS Interactive company CHOW.com.
He?s directed music videos for local musicians Jhameel and The Holdup, which have been featured on notable music blogs, including The Pier and Live105.radio.com. Matt?s music video Summertime Baby has been aired on cable?s Fuse TV.
And since May 2011, Matt?s a creative director and producer for the San Jose based media collective MKSHFT, for which he?s worked with the likes of SF Egoist, Toyota, Noise Pop and HTC. Matt is currently developing his debut feature film, The Purple Onion.
Tom’s background in advertising started at an early age, growing up in a household where his father spent many years in New York at one of the world’s largest ad agencies, Young & Rubicam. Upon reaching adulthood, Tom decided to follow his star in the music business and began writing and producing jingles and background music for radio and TV commercials. After a couple of years, he found himself looking for a larger role in the creative process, and that led to a new career as writer and creative director at several San Francisco-based ad agencies.
After a stint as creative director at Anderson Rothstein, a small San Francisco agency that specialized in food, beverage and California based agricultural accounts, Tom joined Foote Cone & Belding as vp/ group creative director. He then took a position as creative director at Sun Microsystems for two years. A final agency stop was at Saatchi & Saatchi, where he was a writer and an associate creative director.
After years of writing commercials and corporate films, he decided to become a film director. Since that time in 1995, he has directed (and in many cases, written) projects for diverse clients such as Apple, Microsoft, Cisco Systems, Adelphia Cable, Big Brothers/Big Sisters, Blue Shield, the San Francisco Giants, Wal-Mart, Pacific Bell, Partnership for a Drug-Free America, Plantronics, 1-800-Dentist, Avaya, Crystal Geyser, Alzheimer’s Association, San Francisco AIDS Foundation, the City of San Francisco, PaperPak Industries and BART. His work has won many industry awards, including a number of ADDYs, Cindys and several mentions in CA Magazine.
Jesse is passionate about documentary filmmaking and has worked as a director, producer and cinematographer for more than a decade. His Emmy award-winning documentary series on NBC, “My First Time,” aired before the Summer Olympics, and he has produced pieces for Vice Magazine on MTV’s “The Vice Guide to Everything.” Besides the shows listed above, he has produced work for The Discovery Channel, The History Channel and Aljazeera. His documentary film “Splitting Hairs,” about the quest of three men to win the World Beard and Mustache Championships, premiered at the Silverdocs Film Festival. He recently completed his latest documentary, “Punk Jews,” explores the growing subculture of Jewish punk rebels in Brooklyn.
As the audio guru for his company, Funky Tiki, Darcel ensures top quality audio on all film, video and television projects. He studied at the prestigious California Recording Institute, where he specialized in Location Sound/audio engineering. He has over eight hundred hours of Field Sound Mixing and is one of the most sought after Bay Area Field Audio Techs.
Darcel has over 20 feature film credits as well as numerous broadcast & cable industry assignments that include the History Channel, Discovery Channel, CBS, ABC and the BBC. He is also the founder of the proposed Art & Music News Network (AMN-Your Source for Art and Music News-The CNN of the Arts World) and the proposed IndieLove.tv film festival (a Global Cineplex).
Roy has been an award-winning filmmaker for over forty years. He graduated with a Bachelor’s degree in Film from San Francisco University in 1972 and began producing and directing documentaries and educational films for KLVX television, the PBS affiliate in Las Vegas.
In 1975, Roy co-founded Eclipse Productions and for the next fifteen years, produced/directed PBS programs, commercials and corporate marketing films for many of Silicon Valley’s most influential companies; Apple, Adobe, IBM, and Hewlett Packard. Production highlights include: Mythos, an eight part PBS series documenting Joseph Campbell’s final lecture tour, hosted by Susan Sarandon, and Imagine, a seven part PBS series examining technology’s impact in the classroom.
Roy’s feature film credits include Production Designer and Editor for “ClownHouse,” a thriller produced by Francis Coppola’s Commercial Pictures starring Sam Rockwell. Roy was also Production Designer for Francis Coppola’s “The Gunfighter,” a period western inspired by the Hopalong Cassidy novellas starring Martin Sheen and Keith Carradine.
In 1990, Roy founded Roy Cox Productions and embraced the world of digital filmmaking. Under his own banner, Roy has continued to produce/direct numerous independent films for PBS and high-end corporate marketing. Recent projects include the introduction videos on the Apple website for the new iPhone, keynote videos for Apple’s introduction of the iPod, and the iTunes Music Store where Roy worked with celebrities such as Moby, Alanis Morissette, and Smashmouth’s Steve Harwell.
Roy’s recent PBS programs include: “When LIFE Was Young,” a look at LIFE Magazine’s contribution to Photojournalism, and Let The Mountains Talk, a conversation with Sierra Club legend, David Brower.
Dick Favaro has over twenty-five years of experience in the San Francisco Bay Area providing lighting services to the motion picture and video production industry, including commercials, feature films, television, corporate marketing, educational films and documentaries. Currently, he owns a 4-ton grip truck and a 1-ton grip van. His comprehensive lighting and grip inventory meets the needs of any shoot. His recent clients include: SBC, Sun Microsystems, Family Communications, Applied Materials, Intrepid Productions, Bank of America, PBS, Oracle, BBC, IBM, Lieberman Productions, McDougall Creative, VISA, Woodward and McDowell, The Frankel Agency, MTV, Lifetime, and Kendall Jackson Winery. Dick received a Bachelor of Arts from a small liberal arts college in Iowa. He spent several years
in Chicago learning the trade of lighting. Dick moved to San Francisco and worked freelance, having settled in lighting, buying more and better equipment. As business opportunities grew he started work on commercials, short and long feature films gaining well-known clients. For FilmschoolSF, Dick will be teaching lighting seminars, working on productions, and mentoring students in the fine art of lighting.